Covered corridor.

The Library

The Library

The Library of the Monastery contains about 450 manuscripts and more than 3,500 printed books, and is housed today on the second floor of the renovated tower.
A bibliographic workshop functioned in the Monastery almost immediately after its founding, a fact which is confirmed by the uniquely designed niches in the tower, which facilitate the work of a cataloguer. The Library operated both systematically and sporadically, depending on the historical situation. During the 16th century, in the Monastery's Καλύβη (Kalyvi, a dependent, ascetic monastic community) of St Vasilieos in Kapsala, the work of the Library was conducted by St Theofilos the Myrovlytis (μyrovlytis denotes a saint whose relics miraculously emit the sweet aroma of myrrh) during the last period of his life.
Today, the library has a collection of quite rare, important, and exceptionally well-crafted Byzantine and post-Byzantine manuscripts, including 68 parchment codices, as well as three parchment scrolls of the 14th century, and three silk codices. The collection also contains nine Arabic manuscripts and several Romanian music codices. The following are of particular interest:
a) The parchment Book of Psalms no. 61, one of the rare (only three still survive today) illustrated Psalters of the iconoclastic period (the first half of the 9th century), with palimpsest text and 97 brief notations in the margins of the pages and themes from the Old and New Testaments, represented in an early form of iconoclastic Byzantine art characterized by a great amount of freedom of artistic expression,
b) The parchment Codice 234, known as The Gospel of St John of Kalyvitos (11th century), an exceptional-quality illustrated manuscript with a varied content and unique notations with scenes of the Evangelists and other saints. This manuscript is mentioned as being among the 'renowned relics of Mt Athos' by the well-known scholar and monk of Xeropotamnos Monastery Caesarios Dapontes in his work The Garden of Graces:
'Within the Monastery of the Almighty now is the Gospel there for all time, / the famous one from Kalyvitos / [the Gospel] of John, as he is called, / together with his blessings to us.'
This codice, which was given much attention by the English traveller R. Curzon in 1837, was stolen in 1898, but located a short time later in Athens and returned to the Monastery, an event which the tradition of the Monastery links with the miraculous intervention of St Minas.
c) The parchment Ευαγγελιστάριο (Evangelistario, 'Lectionary') no. 10, which dates to the 12th century and is decorated with artistic, flourished titles and initial letters (literae florissae).
d) The parchment Τετραευάγγελο (Tetraevangelo, The Four Gospels) no. 47, decorated in 1301 with depictions of the Evangelists, is the work of the famous Thessalonikan calligrapher Theodoros Agiopetritis.
e) The Codice no. 251 of the 14th century, which includes many of the works of the well-known cloistered theologian Iosef Kalothetis, who was referenced by St Nikodimos in his work The Garden of Graces: 'Iosef Kolothetis … had books of his own, which are saved in the Sacred and Patriarchial Monastery Pantokratoros.'
f) The Codice no. 127 (from the 15th century), the work of Patriarch Gennadios of Scholarios, written in his own hand.
g) The Codice No. 284 (from the end of the 15th century), which includes the six Canons for the feast of the Transfiguration, which was written by the famous scholar Mathaios Kamariotis especially for the Monastery.
h) The Codice No. 140, the only surviving manuscript of the poems of the Cretan poet Leonardos Dellaportas (15th century).
I) The Codice No. 85 (1538), The Register of the Saints whose feasts are celebrated during the months of September-February, which was copied by St Theofilos of Pantocrator Monastery, and which St Nikodimos the Athonite used as a primary basis in the writing of his monumental work of the same name, as he himself admits in the Prologue,
'I went down to the holy, respected, and patriarchal monastery Pantokratoros, among whose mountains I live, and take [responsibility for] the manuscript for this Register, in two volumes, narrated, decorated and written by the hand of an unworthy being.'
j) The Liturgical Codice no. 226, written by the well-known author, composer of hymns and codicil writer of the 17th century Mathaios Myreos, and dedicated 'to the holy and respected and patriarchial monastery of Pancratoras, on the sacred mountain of Athos' in 1624, and
k) The uncategorized Codice no. 13, by St Nikodimos the Athonite and written in his own hand, which bears the inscription,
Rule: The new octave for the Presentation of our Lady the Virgin Mary, to be sung every Saturday.
and was written at the request of the fathers at the Chilandarios Monastery, whose cathedral is dedicated to the feast of the Presentation.
Over time, the library suffered various losses, such as the serious damages caused by the Revolution of 1821, and the practice of the seizure of documents by others, which resulted in a significant number of important manuscripts lost through their incorporation into the collections of libraries abroad. A characteristic example is the case of the Russian Arsenios Souchanof: In the middle of the 17th century, Souchanof, while on a mission to Agios Oros supported by the Tsar and the Patriarch of Moscow, removed hundreds of precious codices from the libraries of virtually all the Athonite monasteries, among them 31 very valuable manuscripts from the Pantocratoras. These codices, together with the other codices taken from the Athonite community, comprise the largest part of the collection of the Synodic Library of Moscow (today called the History Museum).
The Codices 48, 49, and 69, which today are found in the collection of the Byzantine Institute of Dumbarton Oaks in Washington, come from the Library of the Pantokratoros, while the guidelines of the Pantokratoros cataloguer Ignatios now belong – in whole or in part – to the Vatican Library.

Part of the shield of St. Mercury.

Embroidered/Metal/Ceramic

Embroidered/Metal/Ceramic

One of the most important artifacts is the Byzantine Επιτάφιος (Epitafios), the sacred liturgical 'tapestry' depicting the entombment of Christ. This artefact was donated by the founders of the Monastery, and is an exceptional example of goldwork, i.e, embroidery using gold or metal threads; it has survived in very good condition. The lifeless body of Christ is depicted on a background with crosses of many shapes, while at the four corners, an equal number of angels are holding coronets.
From the 16th century comes the goldworked ωμοφόριο (omoforio, a liturgical vestment worn around the shoulders) of the Patriarch Jeremiah of Tranos, and other sacred vestments with goldwork. The omoforio has a goldworked commemoratory inscription, and is decorated with representations of the twelve apostles and the hierarchs. (The donor, Patriarch Jeremiah, had helped the Monastery in a number of different ways.)
The 17th century is represented by an επιτραχήλιο (epitrachilio, a liturgical vestment worn around the neck) embroidered with multiple scenes from the life of Christ, while a number of vestments and embroidered articles are dated to the 18th and 19th centuries. Among the latter, a goldwork-on-velvet heirarchial σάκκος (saccos, an open-sided, full-length vestment which covers the body, worn only by heirarchs), an επιγονάτιο (epigonatio, a rombos-shaped scapular worn around the neck and reaching to the knees) from 1726 depicting Christ and the evangelists, and two embroidered icons of St. Charalambos and the evangelist Markos, which belonged to the Sacrist Cyrillos.
A special place is likewise held by the small surviving piece of the copper shield of St Merkourios, which was decorated with enamel and depicts the veneration of infant Christ by the Magi and prophets, likely from a workshop in Holland or Germany in the 13th or 14th century.
As for the the metal- and silver-worked artifacts (such as sacred vessels, crosses, buckles, etc.), some date to the 17th century, while the majority are from the 18th and 19th centuries. The oldest-dated vessel is a goldplated, silver and enamel αρτοφόριο (artoforio, monstrance) from 1621, a work of the goldsmith Fotios and the property of the priest Constantinos. A silver two-leaf New Testament cover dates to 1777. The two leaves are decorated with representations of the twelve apostles and other personages, as well as a cross. The elaborate images are sculpted from metal and rhinoceros horn, making the artefact an example of exceptionally skilful micro-sculpting. The book cover was dedicated by the well known Sacristan Cyrillos, who was very active in the Monastery during that period.
Several artefacts date to 1788: (a) A large, filigree cross which protects a relic of the True Cross, dedicated by the Prior Benjamin of Lesbos, and made by the goldsmith Panagos. (b) Other filigree sanctification crosses, and a filigree censer. (c) a hierarchical sceptre and a buckle of Zacharias Maridakis, the Metropolite of Crete, who is portrayed in a portable icon which had been dedicated to the Monastery in 1780.
The Monastery also has a large number of vessels which come from 19th century Russian silver and gold workshops, most likely due to the efforts of the Pantokratoros monks in Russia. Especially notable is a chalice from 1818 from Moscow, which is decorated with scenes __________, a New Testament of 1810-1819 which has a relief depicting the Dormition of the Virgin Mary, and two amulets of high-quality enamel.
An exceedingly rare piece is a 16th century glazed ceramic holy water vial used in rituals, which was made in an workshop in Nicea, and which is decorated with beautiful floral and faunal images. Last but not least is an iron chest with a painted exterior and a carved interior, which was made under the supervision of the Prior Leontios in 1737 as a storage chest for the sacred relics of the Monastery. It was made by Greek craftsmen in Adrianoupolis, and is an excellent example of this type of item.

Details from the Door

The Temple (Icon Screen)
And Other Carved
Wood Furnishings

The Temple (Icon Screen) And Other Carved Wood Furnishings

The present-day icon screen in the cathedral, made of walnut wood, gilded, and sculpted with a rich floral design, is an example of high-quality woodcarving of the 18th century. According to written statements, the icon screen it was transported to the Monastery in 1796 after its construction, and cost 2,827 grosia. In 1803, the next Abbot, Stefanos Vizuotis, sent to Konstantinople to buy pure gold for the gilding, which cost 2,000 grosia, a sum donated by the monk Chatzi Angelakis from the Dionysios Monastery.
The older icon screen, parts of which are kept behind the new one, had been constructed in 1553 with financing by the Abbot Alexandros Lepousneanos shortly after the construction of the cathedral. This fact only recently became known from an inscription that was discovered on a piece of silk fabric. Examples of the important art which had been on the old icon screen are provided by two painted sections which have also survived: St John the Theologian (during the suffering of Christ), and the Crucification.
The sculpted despotic throne is also made from walnut wood, and is dedicated to St John the Baptist. It includes sculptured portrayals of the birth and the decapitation of the Baptist, an angel with the scales of justice, and two vestment-clad deacons. On the back support, there is an icon of the Baptist dating to the 15th century.
Another important example of artistic skill and craftsmanship is the square-shaped shrine with columns that support five small domes, decorated with ivory and mother of pearl. It bears the characteristic inscription: ‘Accept this gift, Baptist, from the worthless Isaios. 1707.
Four more shrines at the western columns are part of the ciborium of the holy altar. All are woodcarved and gilded. The interior of the ciborium is painted, and bears an inscription.


Work constitutes an important aspect of the monastic life.

Important Ascetics Who
Resided At The Monastery

Important Ascetics Who Resided At The Monastery

During the more recent historical 'biography' of the Monastery, the following Pantokratoros leaders can be singled out:
a) Benjamin of Lesbos. He was one of the most prominent representatives of the New-Hellenic Enlightenment, and played a significant role in the spiritual and historical events of the turbulent period in which he lived. He was born in Plomari in 1762, and likely joined the Monastery at a very young age, since in 1780, he was sent to the dependency of St Nikolaos in Kydonies. His acquaintance there with the scholar Ioannis Oikonomos was the starting point of a long cycle of studies, first at the School of Chios, where Athanasios Parios and Theodore Proios taught, and later in Pisa, Paris, and London, where he studied mathematics, physics, meteorology, and astronomy. Prior to 1800, he had returned to Kydonion, where he was appointed as a teacher in the Academy of the city, while after 1812, he taught in Constantiniple, in the School of Bucharest, where he also served as director, and in the Evangelical School of Smyrni. Apart from his work in education, Benjamin was also an active member of the Society of Friends, while after the independence of Greece, he participated in the Second National Convention, and was appointed Commissioner of the Aegean Islands. He died in Nafplio on 26 August 1824. It is likely that his personal tribute to the Monastery is a decorated cross from 1788, where he is referred to as Prior, a fact which confirms that for a long period of time, Benjamin had continued to be closely connected with the Monastery to which he had been inducted.
b) Archimandrite Daniel of Thasos. Daniel came from Kallirachos, Thasos, and had graduated from the Great National School prior to 1850. He served as Director of the Monastery and as a commissioner of the Holy Community in Thessaloniki before 1860. During the decade 1870-1880, he was appointed Treasurer of the dependency of Kydonieos, where he supervised the renovations which were taking place there. He died in that city on 19 February 1884, and was buried with great honour at the expense of the Holy Community.
c) Kallinikos the Hermit (1821-1884). Kallinikos was born in Synasso, Cappadocia, and studied in Athoniada before attending the Theological School of Chalkis. He was appointed as a teacher in Athoniada between the years 1864 and 1868, after which he returned to the place of his birth, where he continued his educational work, at the same time serving as a preacher. In the final period of his life, he lived outside the Monastery in the Seat of St Onofrios, where he produced a new interpretation of the Ascetics of Abbot Isaac of Syria, a work which was published in Athens in 1877. He is known for his ascetic and virtuous life; he died on 25 March 1884.
d) Daniel Stergiadis was born in Platano, Thessaly, and studied theology at the Theological School of the University of Athens during the decade 1840-1850, after which he was inducted into the Monastery, where he was appointed Director around 1860, and was awarded the title of Archimandrite in 1864. From 1850-1860, he taught at Athoniada. He died on 13 August 1885 from a serious illness.
e) Hieromonk Arsenios, was born in Asia Minor. Arsenios originally resided in the St Panteleimonos Monastery of, and was later appointed to the position of Abbot at the Zenofontos Monastery, where he served from September 1872 until 23 November 1873. He returned to the St Panteleimonos Monastery, and from there entered the Pantokratoros Monastery, where he served as spiritual advisor until his death in 1894.
f) Gregory the Deacon was born in Leibadi, Chalcidiki, and his secular name was Georgios Kopsacheilis. He was inducted into the Monastery in 1874, at the age of 20. Two years later, he was ordained as a deacon, and in 1888 as a priest, while in 1891 he was awarded the title of Archimandrite. He studied in Athoniada and served as undersecretary to the Holy Community from 1882 to 1885. He died on 12 August, 1935.
g) Agathon the Monk was born in Peristasi, Thrace, and joined the Monastery at the age of 18. In 1860, he was already the Director of the Monastery, and he was also an exceptional calligrapher. Agathon was asked by the patriarch Joachim to serve on a committee for the revision of the Typikos of the Great Church, (i.e. the book of rules governing the operating procedures of the monasteries), under the direction of G. Biolaki in 1880. In recognition of his contribution to the project, Agathon was awarded the title of Great Eccleasiarch ('Great Leader of the Church') by the Patriarch on 13 May 1882. During this same period, the Patriarch had also asked Agathon to collect subscriptions from the Agios Oros monasteries and sketes for the operation of the Theological School of Chalkis, a mission which he successfully completed. He died on 17 September, 1886.
h) Prior Joseph was originally named Ioannis Koukoutos, and he was born in Kydonies. He was inducted into the Monastery in 1894 at the age of 25, and was assigned as the Young Men's Spiritual Advisor (Pneumatiko Paisio). He became a monk in 1898, and was ordained as a deacon and priest the following year. In 1909, he was appointed as Director and Prior of the Monastery. In 1911, he was sent as Treasurer to the dependency in his place of birth, where he worked with exceptional success until his martyrdom by the Turks in 1922.
i) Prior Alexios was born in Leibadi, Chalcidiki and was originally named Apostolos Liolios. He had studied at the Gymnasio ('Middle School') of Kydonies and at the French School of Thessaloniki. He joined the Monastery in 1904 at the age of 30, and was a tonsured monk in 1906. In 1920 he became the Director of the Monastery and the following year, he was ordained as a deacon and a priest. He served the Holy Community as an undersecretary from 1914 to 1920. He died at the Monastery on 2 January 1939.
j) Theofanis of Pantokratoros lived during the first half of the 19th century. Together with his contemporaries Mathaios of Vatopedis, Iosef of Dionysious, and Nikolaos of Docheiarios, he revised the antiquated notations of Byzantine music, a work which is considered extremely significant by authorities. He also reformed parts of ecclesiastical music which had not been covered by the three well-known music interpretators Chourmouzios the Archivist, Gregory the Protopsaltis, and Chrysanthos of Madytos.
k) Hierodeacon Fotis of Kallipolis was born in Kabospyra, Kallipolis in 1875, and originally named Georgios Konstantinidis. At the age of 16, he entered the Monastery and was assigned to the care of the Elder Prior Athanasios. He was tonsured in 1893, and in 1895 was ordained as a holy deacon. Fotis was appointed Director of the Monastery in 1904, and taught at Athoniada from 1903 until 1907, having graduated from the Great National School. He served as an undersecretary in the Holy Community from 1902-1907, and as secretary until 1909. For 18 years, he served as the manager of the dependency Alexopyrgos in Limnos. He died in Athens on 2 November, 1933.
l) Archimandrite Athanasios of Madytos, whose secular name was Vasileios Chrysostomoo of Kamado, was born in 1889. He jointed the Monastery in 1901, when he was only 12 years old, and two years later, he became a monk. In June of 1910, he was ordained as a deacon, and in February 1918, as a priest in Athens, where he had moved in order to study at the Theological School. He also studied at the Great National School. On 20 January 1920, he received the title of Archimandrite and Director of the Monastery. During 1920, he served as the head secretary of the Holy Community, while from 1923-1927, he served in Athens as the proxy of the Holy Community relating to the compilation of the Charter of Agios Oros and other matters. He also held the position as head of the school of Athoniadas from 1930 to 1941. From 1945 to 1954, he taught at the Ecclesiastical School of Zanthe, where he was distinguished by his ecclesiastical nature. He died on 4 February (or 17 February, in the Julian calendar) 1959 in poverty, and was buried at the Cemetery of the Annunciation of the Blessed Mother in Thessaloniki.

The measuring of the temple.

The Frescoes

The Frescoes

The frescoes of the cathedral are works of the important Cretan artist Tzortzi. They are characterized by their great size, the beauty of the faces, the peaceful expression of the saints, and the artist’s attempt to convey the interior spirituality of their lives. However, after careful examination of the paintings, differences in their design and their attitudes in general become noticeable, which is likely an indication that Tzortzi had a group of students working with him, whose personal styles were reflected in the sections they completed. All the surfaces of the cathedral are painted, from the altar to the outer nave, and the area is divided into zones.
The order of the themes or subjects depicted follows the known iconographic programme found without deviation in Byzantine and post-Byzantine churches: In the center of the dome is the depiction of Christ the Ruler of All (Παντοκράτορας), flanked by the Host of Angels, the Virgin Mary, and John the Baptist. Below, between the windows of the drum, are the prophets, and further down, in the area of the pendentives (‘triangular spheres’), are the four Evangelists. Lower still, at the outer ring of the arches, are the semi-domes of the side apses, and in the next two zones, scenes depicting the 12 Great Feast Days of the Orthodox Church and the miracles of Christ. In the lowest zone and in the apses of the two areas are full-figure depictions of the martyrs and apostles; on the north side are the five martyrs Eustratios, Auxentios, Eugenios, Mardarios and Orestes, while the founder, Price Petru and his family are depicted on the south. The surfaces of the west wall depict ascetics in full-figure, and in the next zone, above the lintel and the ‘ownership’ inscription, the Dormition of the Virgin. In the semi-dome of the apse of the holy altar, Panagia Platitera (an attribute referring to the particular representation of the Virgin Mary which is very large and also appears in this central position) is depicted, enthroned and holding the Christ child, and below, in the semi-circular space, the Holy Mass, with the angels participating and with the Apostles receiving the holy Communion. In the lower zone, the co-celebrant hierarchs are present, flanking the holy altar and holding open scrolls with text. At the right and left, there are scenes from the Old Testament.


The Construction

The Construction

Despite being known as the Monastery of Dionysius, the Monastery is dedicated to St John the Baptist, the Holy Precursor, and the date of his birth, 24 June, is the feast day of the Monastery. Furthermore, since the time of its founding, the Cathedral has also been dedicated to that saint.
The cathedral stands in the centre of the small courtyard of the monastery and occupies most of that space. The foundation is the rock of the cliff itself, as can be clearly seen in the northeast corner. With funding from Petru Rares, the Prince of Moldovlachia, the cathedral was entirely rebuilt and redecorated in the period 1535-1547, replacing the older church at the same location. The dedicatory inscription, which is found on the west side of the interior of the cathedral, above the lintel of the outer nave and below the depiction of the Dormition of the Virgin, says: ‘This divine and holy church of the true and renowned prophet and Precursor John the Baptist was rebuilt entirely and redecorated through the contribution and expense of his Highness, the true ruler of Moldovlachia, Prince Petru.
The Abbot Matthaios, a monk, in the year 1547’.
Etched into the lead tiles of the cathedral roof are many names and sketches, associated with different chronological periods. Among those which is preserved is the year 1540, made most likely by one of the craftsmen responsible for the first installation of the roof.
The cathedral has a cruciform plan, with three apses and five domes, the so-called Athonite type, which is characteristic of other Athonite cathedrals as well. An interesting innovation are the two apses added to the east wall of the nave, at the corners: These create cylindrical spaces on the interior of the nave, and octagonal spaces on the exterior, and are covered by domes. The sanctuary (πρόθεση) and the deacon’s area (διακονικό) have been moved to these spaces, which flank the central apse of the holy altar at the north and south, respectively.

View of Dionysiou Monastery from the sea.

The Founding

The Founding

The founding of the Dionysios Monastery is dated to the second half of the 14th century and is attributed to the Holy Dionysios, who came from Korisso of Kastoria. At first Dionysios was a member of the brotherhood at the Filotheos Monastery where his older brother Theodosios was Abbot, but Dionysios left there and went to the south side of the peninsula, where he lived as an ascetic in the foothills of Little Athos. Later, because of the wind and the cold, he and his students moved to a location lower down on the mountain, on an area with a flat surface – the so-called ‘old stremma’ -- where they built huts and a church dedicated to St John the Baptist (the Holy Precursor), and planted a vineyard. Since the number of students constantly increased, Dionysios built more huts next to the torrent Drouvanisti, and a second church, which was dedicated to the Virgin Mary. Thus, a complete settlement of ascetic dwellings under his spiritual guidance was created, and Dionysios was referred to as the ‘Abbot of the Huts’ in a document of the Protos of Mt Athos.
The rocky and isolated location was ideal for the practice of asceticism. The brotherhood, however, moved to the cliff where the Monastery is located today, not only for reasons of survival, but also to fulfil the vision which Dionysios had twice had: A column of light upon the cliff above the sea, accompanied by the miraculous form of the Holy Precursor, their protector.
With the intervention of his brother Theodosios – who by that time had become the Metropolite of Trebizond (Τραπεζούντος) – Dionysios successfully obtained a chrysobull from the Emperor Alexios III Komninos in 1375. This was the ‘ownership’ chrysobull, which officially marked the founding of the Monastery and assured its institutional existence, its physical infrastructure and its economic survival, a document which is still safeguarded in the Monastery today. At the beginning of the document, there is a small depiction of the Emperor Alexios III and his wife Theodora holding the chrysobull together, looked down upon and blessed by St John the Baptist. Thus, Dionysios built the Monastery, with a high level of support, but also with a great deal of work and sacrifices, including facing the problems caused by repeated pirate raids as well as from natural disasters.
In the chrysobull, the Emperor promised to build a church and cells, an aqueduct for bringing water to the site, and to construct the entire monastery, simply asking in return that he, his family, and his descendants would always and without interruption be remembered in all of the liturgies, a wish which is carefully fulfilled until today. He also asked that the monastery be named ‘the Great Komninos’, and to warmly receive citizens of Trebizond as either visitors or as monks.
To cover the construction costs, Alexios donated 100 somia (units of weight, which later became currency), an amount which in 1340 was equivalent to 140 aspra or silver coins), 50 of which were given immediately to Dionysios, and the remainder to be given within three years. An annual contribution by the Emperor and his heirs of 1,000 komninata was also pledged, so that the construction works would proceed without interruption.

Η Μονή έχει ολοκληρώσει τα ανακαινιστικά έργα των πτερύγων.

The Return To Cenobitic Life (1992)

The Return To Cenobitic Life (1992)

On 6 May 1992, a Synod took place at the Monastery in which three members of the Athonite community – the Abbot of the Exarchia Monstery, the Committee for the Sanctity of Communal Life, and the Pantakratoras Council of the Elders – participated. There, they jointly decided to restore the Monastery, which was the last of the Athonite monastery to function in an idiorhythmic state – to the system of cenobitic life.
Moreover, the Council of Elders unanimously decided to reorganize the Monastery under the guidance of a 13-member group of monks from the Zenofontos Monastery. The first Prior of the new Pantokratoros community was the hieromonk Bessarion (Makrygiannis) from Zenofontos Monastery, who was enthroned by the Sacred Community on 8 June 1992, the Sunday on which the feast of All Saints is celebrated. According to tradition, he received the ecumenical sceptre from the highest ranking member of the five-member Committee for Holy Communal Life: The Elder Bartholomew, a monk from the Great Lavra Monastery, who held the position as heir to Athanasios the Athonite, the founder of the first cenobitic monastery on Agios Oros.
During the time that the Prior Bessarion led the Monastery (19 May 1992-15 July 2001 or, in the Julian calendar used by the Athonite community, the respective dates would be the 6 May 1992-2 July 2001), it was reorganized and spiritually renewed, while work to renovate a large number of the buildings was undertaken. In order to accomplish this goal, he was awarded the title of new patron of the Monastery. Unfortunately, his successful work was unexpectedly ended by a serious illness which caused him to be bedridden; this condition led him to resign his position as Prior on 2 July 2001. He died several months later, on 20 September of the same year, leaving behind the reputation of having been a virtuous man. His funeral took place the next day, attended by a large number of clerics, monks and laymen, in an atmosphere of mourning for his premature death, but also one of joy and hope for his resurrection.
A Pantokratoros hieromonk, Gabriel, was appointed to replace the late Prior Bessarion. Under Gabriel's leadership, the Monastery flourished, evidenced by an increase in the number of its members, and the completion of the renovations to the old wings of the buildings in the Monastery compound. Today, the brotherhood has about 30 members.

During the idiorhythmic period, each monk was responsible for his own survival.

From Independence To The
End Of The Idiorhythmic Period

From Independence To The End Of The Idiorhythmic Period

On 2 November 1912, after 488 years of foreign rule, humiliation, and a variety of 'adventures', Agios Oros was liberated by the Greek army, in an atmosphere of general euphoria and festive celebrations by the Athonites. From that time on, all the Athonite monasteries linked their historical fate with that of the Hellenic state.
In 1922, in the aftermath of the Asia Minor Catastrophe, the Monastery paid its own price in blood: The monk Joseph, Treasurer of the dependency of St Nikolaos of Kydonieos, was martyred by the Turks. At the same time, the income-producing activities in the Monastery's dependencies in Macedonia, Thasos and Limnos were decreased since their focus was shifted to meet the needs of the many refugees arriving in the country.
The problems faced by the Monastery during the decades which followed were compounded by a huge fire on 1 December 1948, which totally destroyed the eastern wing. The fire would have caused even more damage had it not been stopped by a miracle which took place after the monks had prayed for help to a small copy of the miraculous icon of Panagia Gerontissa. Because of the miracle, the small icon was afterwards referred to by the monks as Panagia Purosotiera) 'Virgin Mary the Saviour from Fires'.
At that point in time, the idiorhythmic system of organization coupled with the shortage of monks, conditions which were generally the norm for all the Athonite monasteries in the post-war period, made the operation of the Monastery even more difficult. This unfortunate situation prevailed until May 1992, when the Monastery once again began to operate as a cenobitic system. The last Prior of the idiorhythmic-system Monastery was the hieromonk Euthymios Prepis from Magoulades, Corfu.

'The Light of God'

The Monastery During The
Greek Revolution Of 1821

The Monastery During The Greek Revolution Of 1821

The Revolution of 1821 meant the start of great, new 'adventures' for the Monastery, and for the entire Agios Oros community. The Athonites publicly supported the revolutionary exploits of Immanuel Papa in eastern Macedonia. Moreover, according to oral tradition, the Monastery gave the cannons from its towers for use during the war, an event which is depicted in old engravings.
However, the failure of Papa's Macedonian forces created many problems for the Athonites. In February 1822, Turkish troops invaded and occupied the monasteries, forcing the monks to feed and house them. At the same time, heavy taxes were levied, driving the monasteries to absolute poverty. This is confirmed by comments in an 1827 report written by two officials of the Monastery, the Prior Theoclitos and the Elder Agapios: 'Now that it is known what has happened, we will be deprived of good bread.'
Most of the monks at the Monastery, as well as the other Athonite monks, had already abandoned Agios Oros before the invasion of the Turkish troops. They left on boats belonging to the Monastery, first sailing to Thasos and from there to Skopelos, carrying with them all the artifacts of the Monastery. Upon their arrival in Skopelos, the artifacts were recorded and given to Droso Mansolo and Kyriako Tasika, two high-ranking representatives of the Hellenic Parliament of Corinth, for the purpose of using them to help fill the needs of the revolution. The sacred liturgical vestments were protected at the Monastery of the Bishop in Skopelos.
According to K. Notara, the Minister of the Hellenic Economy at that time, the silver and gold obtained from the artefacts amounted to 6,250 Turkish coins ('grosia'), which does not reflect the true value of the items since it is does not take into account the historical value of the objects or the craftsmanship involved in their elaborate, artistic decoration. Any artefacts which were not used were taken to the Monastery of the Great Cave in the Peloponnese, from where they were eventually returned to the Monastery in 1830, after the withdrawal of the Turkish troops from Agios Oros, by order of the first Governor of Greece, Ioannis Kapodistrias.
After this long and difficult 'adventure' of its monks, the Monastery regrouped and reorganized. With grants from the Pantokratoros Archimandrite and Treasurer to its dependency in Blachia, Meletios Katsoranos of Kydonieos, significant renovations and repairs were made to buildings and particularly in the cathedral, where the frescoes were repainted. Despite the economic problems which continued to plague it, the Monastery experienced a gradual growth, and in 1903 had a population of 58 monks.