The Monastery has proudly stood at the top of the rocky overhang for centuries.

Consecration

Consecration

The cathedral was consecrated in 1362/3 by the Patriarch Kallisto I, who also designated the Monastery as the Patriarchial Seat. During this period, the frescoes were created by a leading Byzantine artist, whose name has unfortunately not survived. Two portable icons of Christ Pantocratoras also date from this same period, one of which is in the sacristy of the Monastery, and the other in the Hermitage Museum in St Petersburg. In the border of the latter, at the lower right, the figure of the founder Ioannis the Primikerios is still preserved. The founders endowed the Monastery with many other works of art, objects and relics, some of which are still safeguarded with special care in the Monastery today.

The right hand of John the Baptist in the reliquary.

Acquisition And Loss

Acquisition And Loss

In the 16th century, the Wallachian prince Neagoe Basarab presented the monastery with a gold reliquary which contained the right hand and cranium of St John the Baptist. In 1765, the fathers sent the sacred cranium to their dependency on the island of Agios Eustratios to bless the fields of the islanders, which were plagued by destructive grasshoppers. On the way, however, the relic was stolen by pirates; fortunately, it was later found in the Umayyad mosque in Damascus, where it is still preserved in a special structure today. After this incident, it was decided to never remove the remaining relic of the Baptist's right hand from the monastery.

Interior of the Cathedral.

In His Church

In His Church

The cathedral of the monastery is dedicated to the Baptist and celebrates his birthday. One encounters Saint John's image there many times, both depicted on the walls and in the shrines. The most compelling experience of the pilgrim, however, is the encounter with the sacred relics of the Baptist, which are kept together with the rest of the holy relics as precious treasures in the Sanctuary in special vaults. A hieromonk is charged with their care, and they are usually presented for veneration by pilgrims during the service after dinner.

Η Μεταμόρφωση του Σωτήρος. Φορητή εικόνα στο μουσείο της Μονής.

The light of the
Transfiguration

The light of the Transfiguration

The dedication of the Monastery to the Transfiguration (Μεταμόρφωση) of Christ the Saviour has special meaning within the historical context in which it occurred. At that time in particular, Mt Athos strictly followed the ascetic system of hesychasm, or silent prayer. St Grigorios Palamas (who died in 1359), the most important defender of hesychasm, attached great significance to the event of the Transfiguration on Mt Tabor, where Christ revealed his divine nature to a select group of disciples. The goal of a hesychastic life is the union of man with the Holy Trinity, i.e., a union with the divine essence, the divine light and beauty of Christ, as witnessed by his disciples during the Transfiguration. (See also the surprising history of the Monastery’s artwork below.)

Η κόρη του Πέτρου Ράρες, Ρωξάνδρα και ο σύζυγός της, Αλέξανδρος Λεπουσνεάνου

Other Royal Patrons

Other Royal Patrons

The daughter of Petru Rares, Rucsandra, and her husband, Alexandru Lapusneanu, who later became a monk with the name Pachomios, funded the complete construction of the six-storey south wing, with its many balconies facing the sea. These 16th century buildings characterize the image of the Monastery today, especially as they emerged after the recent restoration.

The founders' tomb.

A Personal Declaration

A personal declaration

In the Will written by Ioannis in 1384, he states the following:
'Many years ago, while my late brother the renowned Commander of the Army was still alive, we built a Monastery together at the illustrious and brilliant Mt Athos, and we dedicated it to Christ the Almighty. Since he left this life, I have assumed the responsibility for the completion of the remaining work and, after having acquired for the Monastery many beautiful pieces of land and buildings in different areas as well as on Mt Athos, I continue to work even until now, albeit exclusively at my own expense, as much as my desire and my abilities permit…'
It is likely that he died prior to May 1387, and he was buried in the Monastery, next to his brother.

Ruler Petros Rares

Prince Petru Rares

Prince Petru Rares

Very soon after the 1520 renovations, however, on 25 October 1535, a devastating fire destroyed most of the Monastery. This gave the opportunity to another prince, Petru Rares of Moldova, to finance the reconstruction of the eastern wing – from the gallery and the entire gateway to the cellar – and of the cathedral, which he even built taller than the old one. He also paid the expenses of the frescoes.

St Nifon and Neagoe Basarab depicted on an icon, 16th century.

Prince Neagoe Basarab

Prince Neagoe Basarab

The Wallachian ruler, Neagoe Basarab, was a spiritual child of Saint Nifon. In 1520, he funded the construction of the Monastery's impressive defensive tower and the arched aqueduct that replaced the previous wooden one. He also donated an important relic to the Monastery: the cranium of St John the Baptist (which was unfortunately later stolen), in a golden case, and a gold-plated box in the shape of a church, where the relics of Saint Nifon were placed.

Ο τάφος του Αγίου Νήφωνα

Unknown

Unknown

After a disagreement with Radu, Nifon left Wallachia as an old man, and returned to the Dionysios Monastery, where he lived in anonymity, concealing his identity. Indeed, the duties given to him were insignificant, routine ones, such as the care of the animals and the observation of the sea to give advance warning of any potential incursion by pirates, at the same spot where a chapel was later built in his honour. At one point, however, his true identity was miraculously revealed to the monks. He resided in the Monastery until his death on August 11, 1508, at the age of 90. His tomb is in the cemetery of the Monastery, outside the chapel of All Saints.

St. Niphon, patriarch of Constantinople. Portable icon, 21st century.

Monk, Calligrapher,
Patriarch, And Teacher

Monk, Calligrapher, Patriarch, And Teacher

According to the sources, Nifon first travelled as a monk and calligrapher to Illyric and Dalmatia, where he was copying manuscripts and preaching against the unionist council of Florence. Then he came to Athos, to the monasteries of Vatopedios, Pantokratoros, and finally to Dionysios, where he was ordained a priest and remained. He was later appointed as a bishop of Thessaloniki, and twice served as Patriarch of Konstantinople, in 1486-1489 and 1497-1498. Then he finally resigned from the Ecumenical Throne and went to Adrianople, where Radu IV, the ruler of Wallachia, invited to his kingdom as a spiritual advisor. Although Nifon again received a proposal to become Patriarch, he declined it, preferring to devote himself to the spiritual well-being of the Wallachian people.