The west section.

The Icons Οf Τhe Virgin Mary

The Icons Οf Τhe Virgin Mary

The Monastery houses as a precious treasure the important miraculous icon of Panagia Gerontissa, the largest icon of the Virgin Mary on Agios Oros, which depicts her in full length, in a position of pity, and is set into a marble shrine in front of the left area of the cathedral. The icon is theorized, according to the tradition of the Monastery, to be the gift of the Emperor Alexios I Komninos, and today it is embellished with a silver covering, which was made in the beginning of the 19th century. The title Gerontissa relates to a miraculous intervention by the Virgin on behalf of a virtuous Prior of the Monastery who was near death, while other miracles have also been passed down in the Athonite tradition and concern both the operation of the Monastery as well as the care of the Virgin for her monks (e.g. the miracle of the olive oil, etc.)
Moreover, the tradition is included exactly as it is recounted in the tradition in the A Narrative relating to the miraculous icon of the Virgin Mary which is called Gerontissa, from the work, The outstanding hallmarks of Mt Athos (Konstantinople 1861):
'This Holy Icon is installed today within the Cathedral, upon the eastern column of the left side; in the past, it was not found in the Sanctuary. At that time, there was in the Monastery a Prior, virtuous and advanced in age, who was ill and knew that the time of his death was approaching. He wished to participate in the sacred liturgy and asked the heiromonk conducting the service to proceed quickly so that he would be able to complete his worship. The hieromonk continued as before, when suddenly a voice coming from the icon of the Virgin Mary told him to comply with the elderly Prior's request. Since that time, the icon has been referred to as Panagia Gerontissa.
The full body of the Virgin Mary is depicted in this icon, which has been conserved and embellished with a silver facing. And on the silver facing, a pithos [a ceramic olive oil storage vessel] has been included, to bear witness to the miraculous intervention of the Virgin by filling the empty oil jars [to feed the monks]. After a raid by the Saracens, this holy icon had been thrown into a well near the monastery, where it was later recovered with the help of a family member of the Saracens, who was ashamed by their bold and sacrilegious action.
[According to the tradition], an ill-fated barbarian wanted, out of foolish pride, to destroy a heirloom of Christianity, and decided to cut the icon into pieces and burn it to light his pipe. He was immediately struck blind because of his arrogance, and the icon remained in the well for 80 years. This barbarian, who had justly been punished, was broken in spirit, full of anguish and remorse for this terrible act, and hoping to receive some relief and comfort from this terrible suffering for an action he truly regretted, ordered his family to go to Agios Oros after his death and to recover the icon which he and his comrades had thrown into the well. Thus, the relatives of this repentant barbarian followed his orders and went to Agios Oros, where they showed the local people where the icon was, and they left honorably. This is the same tradition of the Monastery relating to this miraculous icon.'
In the cathedral of the Monastery today, the miraculous icon of St Georgios of Faneromenos, from the Pantokratorian Cell which is connected with this miracle, is enshrined. According to tradition, St Georgios saved the monks of the Cell from a pirate raid by a divine intervention.

Analytical Catalog Of Holy Minors

Analytical Catalog Of Holy Minors

'Εν συνεχεία παρατίθεται κατά μηνολογιακή και εορτολογική διάταξη κατάλογος των ιερών λειψάνων, των οποίων τεμάχια φυλάσσονται στη Μονή. Σημειώνεται ότι, κατά το μοναχικό έθος, τα ιερά λείψανα των Αγίων εκτίθενται προς προσκύνηση κυρίως κατά την ημέρα εορτής τους, αλλά και καθημερινά, κατόπιν σχετικού αιτήματος των προσκυνητών της Μονής, ή και σε έκτακτες περιπτώσεις.

ΣΕΠΤΕΜΒΡΙΟΣ
14 Τεμάχια Τιμίου Ξύλου σε αρκετούς Σταυρούς
16 Μεγαλομάρτυρος Ευφημίας
20 Μεγαλομάρτυρος Ευσταθίου (3 τεμάχια σε διαφορετικές θήκες)
22 Ιερομάρτυρος Φωκά Σινωπέως

ΟΚΤΩΒΡΙΟΣ
3 Διονυσίου Αρεοπαγίτου (άκρο του μικρού δακτύλου με σάρκα )
13 Μάρτυρος Βενιαμίν διακόνου του Πέρσου
18 Ευαγγελιστού Λουκά (3 τεμάχια σε διαφορετικές θήκες)
20 Μεγαλομάρτυρος Αρτεμίου
24 Μεγαλομάρτυρος Άρέθα
28 Αγίου Αθανασίου πατρ. Κων/πόλεως (πλευρό σε ανάλογη θήκη)

ΝΟΕΜΒΡΙΟΣ .
1 Αγίων Αναργύρων Κοσμά και Δαμιανού των εν Ασία
4 Οσίου Ιωαννικίου του Μεγάλου (ολόκληρη η κάρα και σε αλλη θήκη η κάτω σιαγόνα)
9 Μάρτυρος Ονησιφόρου
12 Αγίου Ιωάννου του Ελεήμονος, πατρ. Αλεξανδρείας (μεγάλο τεμάχιο κάρας σε κεφαλόσχημη θήκη)
13 Αγίου Ιωάννου του Χρυσοστόμου
14 Αγίου Φιλίππου του αποστόλου
25 Μάρτυρος Μερκουρίου (δύο τεμάχια σε διαφορετικές θήκες)
30 Αποστόλου Ανδρέα του Πρωτοκλήτου (μεγάλο τεμάχιο του δεξιού ποδιού και τεμάχιο πέλματος σε ανάλογη θήκη, σε χειρόσχημη θήκη τεμάχια του δεξιού χεριού και 2 επιπλέον τεμάχια σε διαφορετικές θήκες)

ΔΕΚΕΜΒΡΙΟΣ
5 Οσιομάρτυρος Κοσμά του Πρώτου (πλευρό)
7 Μάρτυρος Νικολάου
9 Θεοπρομήτορος Αγίας Άννης
15 Ιερομάρτυρος Ελευθερίου (δύο τεμάχια σε διαφορετικές θήκες)
18 Αγίου Μοδέστου πατρ. Ιεροσολύμων (5 τεμάχια σε διαφορετικές θήκες)
22 Μεγαλομάρτυρος Αναστασίας Φαρμακολυτρίας (δάκτυλο του χεριού με σάρκα)
27 Πρωτομάρτυρος Στεφάνου
28 Αγίων Δισμυρίων Μαρτύρων των εν Νικομηδεία

ΙΑΝΟΥΑΡΙΟΣ
1 Μ. Βασιλείου (3 τεμάχια σε διαφορετικές θήκες)
7 Αγίου Ιωάννου του Προδρόμου
18 Μ. Αθανασίου πατρ. Αλεξανδρείας
20 Ευθυμίου του Μεγάλου
23 Ιερομάρτυρος Κλήμεντος Αγκύρας
25 Γρηγορίου του Θεολόγου (3 τεμάχια σε διαφορετικές θήκες)
27 Ιωάννου του Χρυσοστόμου (μεγάλο τεμάχιο της κνήμης και 4 τεμάχια σε διαφορετικές θήκες)
29 Ιερομάρτυρος Ιγνατίου του θεοφόρου
30 Τριών Ιεραρχών (τεμάχια σε 3 διαφορετικές θήκες)
31 Αγίου Ιωάννου, εκ των Αγίων Αναργύρων

ΦΕΒΡΟΥΑΡΙΟΣ
1 Μεγαλομάρτυρος Τρύφωνος (τεμάχια του δεξιού χεριού σε μια θήκη σε σχήμα χεριού και 9 τεμάχια σε διαφορετικές θήκες)
8 Μεγαλομάρτυρος Θεοδώρου του Στρατηλάτου (μεγάλο τεμάχιο εκ της κάρας σε κεφαλόσχημη θήκη και 3 τεμάχια σε διαφορετικές θήκες)
10 Ιερομάρτυρος Χαραλάμπους (δάκτυλο του Αγίου σε αναλόγου σχήματος θήκη και 9 τεμάχια σε διαφορετικές θήκες)
11 Ιερομάρτυρος Βλασίου
17 Μεγαλομάρτυρος Θεοδώρου του Τήρωνος (2 τεμάχια σε διαφορετικές θήκες)

ΑΠΡΙΛΙΟΣ
4 Αγίου Θεωνά του Παντοκρατορινού, αρχιεπισκόπου Θεσσαλονίκης
6 Των πέντε Νεομαρτύρων της Σαμοθράκης
11 Ιερομάρτυρος Αντύπα Περγάμου (2 τεμάχια σε διαφορετικές θήκες)
12 Οσίου Ακακίου Καυσοκαλυβίτου
23 Μεγαλομάρτυρος Γεωργίου (2 τεμάχια σε διαφορετικές θήκες)

ΜΑΪΟΣ
1 Οσιομαρτύρων Ευθυμίου, Ιγνατίου και Ακακίου Ιβηροσκητιωτών
2 Μ. Αθανασίου πατρ. Αλεξανδρείας
16 Οσιομαρτύρων Σαβαϊτών πατέρων (αίμα αναμεμιγμένο με χώμα)
21 Ισαποστόλων Κωνσταντίνου και Ελένης
23 Αγίου Μιχαήλ Συνάδων του Ομολογητού (τεμάχιο επί σταυρού)

ΙΟΥΝΙΟΣ
8 Μεγαλομάρτυρος Θεοδώρου του Στρατηλάτου
21 Μάρτυρος Ιουλιανού του Ταρσέως
28 Αγίου Ιωάννου, εκ των Αγίων Αναργύρων

ΙΟΥΛΙΟΣ
1 Αγίων Αναργύρων Κοσμά και Δαμιανού των εν Ρώμη (4 τεμάχια κάρας σε κεφαλόσχημη θήκη και 2 τεμάχια σε διαφορετικές θήκες)
8 Μεγαλομάρτυρος Προκοπίου
Οσίου Θεοφίλου Παντοκρατορινού (το δεξί χέρι σε στάση ευλογίας με τη σάρκα)
11 Μεγαλομάρτυρος Ευφημίας
15 Αγίου Κηρύκου (τεμάχιο δεξιού χεριού σε χειρόσχημη θήκη και 1 τεμάχιο σε διαφορετική θήκη)
Αγίας Ιουλίττης (ή ωλένη με σάρκα σε θήκη σχήματος καρπού χεριού)
17 Μεγαλομάρτυρος Μαρίνης
22 Αγίας Μαρίας της Μαγδαληνής
23 Ιερομάρτυρος Φωκά Σινωπέως (2 τεμάχια σε διαφορετικές θήκες)
25 Θεοπρομήτορος Αγίας Άννης
26 Οσιομάρτυρος Παρασκευής ( σταγόνα αίματος σε θήκη, τεμάχιο αγίας κάρας και 4 τεμάχια σε διαφορετικές θήκες)
Ιερομάρτυρος Ερμολάου (σταγόνα αίματος σε θήκη και τεμάχιο σε άλλη θήκη)
27 Μεγαλομάρτυρος Παντελεήμονος (σταγόνα αίματος σε θήκη και 6 τεμάχια σε διαφορετικές θήκες)

ΑΥΓΟΥΣΤΟΣ
1 Τεμάχια Τιμίου Ξύλου σε αρκετούς Σταυρούς
2 Πρωτομάρτυρος Στεφάνου
11 Μάρτυρος Εύπλου του Διακόνου

ΠΕΡΙΟΔΟΣ ΠΕΝΤΗΚΟΣΤΑΡΙΟΥ
Κυριακή Σαμαρείτιδος: Αγίας Φωτεινής της Σαμαρείτιδος (η ωλένη με σάρκα σε ανάλογη θήκη).


The bell-ringing system.

Feast Days

Feast Days

The Monastery celebrates the feast day of the Transfiguration of the Saviour, on 6 August (19 August, Julian date), which is the event in the life of Christ the cathedral is dedicated to. During the festival, the Monastery is flooded by a huge number of monks from other monasteries, sketes and cells of Agios Oros, as well as by many pilgrims. A great vigil is performed, in which choir members from the Pantokratoros and other monasteries take part.
The Monastery also celebrates the feast of the miraculous icon of Panagia Gerontissa, on the 2 December (15 December, Julian date), and at the feast of the Pantokratorian Fathers on 15 October (28 October, Julian date).

September
14 Pieces of the Sacred Wood (in a number of crosses).
16 The Great Martyr Eufimias.
20 The Great Martyr Eustathios (three pieces, in different reliquaries).
22 The Hieromartyr Foka Sinopeos.

October
3 Dionysios Areopagitos (the tip of his pinky, with flesh).
13 The Martyr Veniamin, deacon of Persia
18 The Evangelist Loukas (three pieces, in different reliquaries).
20 The Great Martyr Artemios.
24 The Great Martyr Arethas.
28 St Athanasios, Patriarch of Konstantinople (a rib, in a similarly-shaped reliquary).

November
1 Sts Anargyrioi Kosmas and Damianos of Asia.
4 The Venerable Ioannikios the Great (entire cranium, and a lower jaw in another reliquary).
9 The Martyr Onisiforos.
12 St Ioannis the Merciful, Patriarch of Alexandreias (a large piece of cranium, in a similarly-shaped reliquary).
13 St Ioannis Chrysostomos. 14 St Filippos the Apostle
25 The Martyr Merkourios (two pieces in different reliquaries).
30 The Apostle Andreas of Protoklitos (a large piece of his right leg and a piece of his palm in a similarly-shaped reliquary, a piece of his right hand in a hand-shaped reliquary, and two additional pieces in different reliquaries).

December
5 The Venerable Martyr Saint Kosmas Protos (a rib)
7 The Martyr Nikolaos
9 The Mother of the Blessed Virgin, St Anna
15 The Hieromartyr St Elefterios (two pieces in different reliquaries)
18 St Modestos, Patriarch of Jerusalem (five pieces in different reliquaries)
22 The Great Martyr Anastasias Farmakolutrias (a finger with flesh)
7 The Protomartyr Stefanos
8 The Holy 20,000 Martyrs of Nikomedia

January
1 The Great Vasileios (three pieces in different reliquaries)
7 St John the Baptist
18 The Great Athanasios, Patriarch of Alexandreia
20 Euthymios the Great
23 The Hieromartyr Klementos of Ankara
25 Gregorios the Theologian (three pieces in different reliquaries)
27 Ioannis Chrysostomos (a large piece of his leg and four pieces in different reliquaries).
29 The Hieromartyr Ignatios Theoforos
30 The Three Hierarchs (pieces in three different reliquaries)
31 St Ioannis, one of the Saints Anargyrioi

February
1 The Great Martyr Trifonos (a piece of his right hand in one hand-shaped reliquary, and nine pieces in different reliquaries)
8 The Great Martyr Theodoros of Stratilatos (a large piece of his cranium in an analagous-shaped reliquary, and three pieces in different reliquaries)
10 The Hieromartyr Charalambos (a finger in a similarly-shaped reliquary, and nine pieces in different reliquaries)
11 The Hieromartyr Vlasios
17 The Great Martyr Theodoros of Tironos (two pieces in two different reliquaries)

April
4 St Theonas of Pantokratoros, Archbishop of Thessaloniki
6 The five young martyrs of Samothrace
11 The Hieromartyr Antipa of Pergamos (two pieces in different reliquaries)
12 The Venerable Akakios of Kausokalybitos
23 The Great Martyr Georgios (two pieces in different reliquaries).

May
1 The Venerable Martyrs Euthymios, Ignatios, and Akakios of the Skete of Iviron
2 The Great Martyr Athanasios, Patriarch of Alexandrias
16 The Venerable Martyrs, the Fathers of Savaitos (blood mixed with soil)
21 The Equals of the Apostles Constantinos and Eleni
23 St Michael of Synnada, the Confessor (piece of a cross)

June
8 The Great Martyr Theodoros of Stratilatos
21 The Martyr Ioulianos of Tarseos
28 St Ioannis, one of the Saints Anargyrioi

July
1 The Saints Anargyrioi Kosmas and Damianos of Rome (four pieces of a cranium in an similarly-shaped reliquary, and two pieces in different reliquaries)
8 The Great Martyr Prokopios
8 The Venerable Theofilos of Pantokratoros (the right hand in the position of blessing, with the flesh)
11 The Great Martyr Eufimias
15 St Kyrikos (a piece of the right hand in a reliquary of the same form, and one piece in a different reliquary)
15 St Ioulitta (an ulna with flesh in a reliquary shaped like a wrist)
17 The Great Martyr Marina
22 St Mary Magdalene
23 The Hieromartyr Foka of Sinope (two pieces in different reliquaries)
25 The Mother of the Blessed Virgin, St Anna
26 The Venerable Martyr Paraskevi (a drop of blood in a reliquary, a piece of cranium and four other pieces in different reliquaries)
26 The Hieromartyr Ermolaos (a drop of blood in a reliquary, and a piece in another reliquary)
27 The Great Martyr Panteleimonos (a drop of blood in a reliquary, and six pieces in different reliquaries).

August
1 Pieces of the Sacred Wood in a number of crosses
2 The Protomartyr Stephanos
11 The Martyr Euplos the Deacon

During the Period of Lent
Sunday of the Samaritan: St Foteini the Samaritan (an ulna with flesh, in a similarly-shaped reliquary).


Ιερά λείψανα που φυλάσσονται στη Μονή.

The Sacred Relics

The Sacred Relics

The main concern of both the founders of the Byzantine monasteries and the monks, who often took part during the Byzantine period in pilgrimages to the great holy places in the Christian world, was the enrichment of their monasteries with sacred relics, which have been considered since the earliest Christian era to be 'more valuable than precious stones'. From the era of its founding until today, the Monastery has prized sacred relics, which are protected in holy reliquaries within the sanctuary of the cathedral. From documents in the archives of the Monastery, we are informed that a number of times sacred relics were moved outside the Monastery, either in cases where it was necessary to raise funds when the Monastery faced economic problems, or for the blessing, sanctification, and healing of the faithful in different cities or regions, when asked to do so, an act which is common even in the present day.
The most important of the sacred relics which have survived through the centuries and which are protected in the Monastery are the following:

A piece of the seamless garment of Christ, stored in a reliquary, along with a piece of the true cross, which is housed in a reliquary in the shape of a cross and decorated with precious stones, which has a relief of the donor, the Emperor Andronikos II Palaiologos, on its vertical member.The cranium of St Ioannikios of Olympos.

A piece of the cranium of St Ioannis the Merciful, Patriarch of Alexandria.A piece of the cranium of St Theodoros of Stratilatos.

Pieces of the craniums of the Sts Anargyroi Kosmas and Damianos.

The right leg and right palm of the Apostle Andreas.

A part of the leg of St Ioannis Chrysostomos.

The right hand of St Theofilos the Myrovlitos of Pantokratoros.

A part of the copper shield of St Merkourios, decorated with enamel and depicting the veneration of the infant Christ by the Magi.

The ulna with flesh of St Foteini of Samareitidos.

Barsky mentions other relics, which are not in the Monastery today, such as the finger of St John the Baptist and the entire hand of St Mitrodoras.


The most valuable "treasures" of the Monastery.

Saints

Saints

Apart from its dependencies (both properties and Athonite Cells), a number of saints are connected to the centuries-long history of the Monastery, some of whom played significant roles in the spirituality and the development of Athonite monasticism.
1) St Gregorios of Palamas (1297-1359). The father of Byzantine Seclusion (i.e, cloistered way of life) St Gregorios of Palamas, lived for a long period of time at Agios Oros, from time prior to 1325 and after 1331, and also after he had been elected as Bishop of Thessaloniki in 1347. According to the tradition at the Pantokratoros, he also lived for some time in the region belonging to the Monastery. In any case, the founding of the Monastery coincides with the period of his tenure as head of the church in Thessaloniki. St Gregorios is depicted as a monk in a fresco in the refectory of the Monastery, and his memory is celebrated on 14 October and the second Sunday of Lent.
2) St Kallistos I, Patriarch of Konstantinople (end of the 13th century-1363/4). The Patriarch Kallistos I, student and biographer of St Gregorios of Sinai, served for decades on Agios Oros (at the Magoula Skete, the Iviron Monastery, and other places). He was a dominant figure in Athonite monastic society. According to a solidly based Athonite tradition, he served as the Sea of St Onoufrios, a short distance north of the Monastery.
The name of St Kallistos is connected with, as is known, the founding of the early years of the history of the Monastery. According to surviving testimonies, Kallistos inaugurated the cathedral of the Monastery, and provided the monks with the first set of guidelines (typiko) for its efficient functioning, which by that time had become the Ecumenical Patriarchal Seat. The memory of St Kallistos is honored on 22 November and on 20 June.
3) St Nifon II, Patriarch of Konstantinople (1418-1508). St Nifon, who was from Thessaloniki, resided at several Athonite monasteries, and is considered the new founder of the Dionysiou Monastery. According to his biography, during his first arrival at Agion Oros and prior to his residence at the Dionysiou Monastery, St Nifon visited the Koutloumousiou Monastery, and then the Pantokratoros «ποιήσας χρόνον». He then took up residence in the cave Crete, which is located near Karyes, in the area which belongs to the Monastery. The area is said to be 'inhabited by great men [burdened with] major worries and extreme difficulties, whom the blessed Nifon admired for their extreme endurance. He lived among these teachers as a student, making a living from his calligraphy.' The memory of St Nifon is celebrated on 11 August.
4) St Theonas I, Metropolite of Thessaloniki (16th century). St Theonas ο από ηγουμένων, served at the Monastery at the beginning of the 16 century, as recorded in his biography but also from the evidence of the venerable martyr Iakobos. He was ordained as a priest and served as chaplain of the cathedral, until the period when he met Iakobos and became a member of his group. According to the tradition of the Monastery, he practiced at the Seat of St Onofrios, which has since been renamed as the Seat of St. Theonas. His memory is celebrated on 4 April.
5) St Theofilos the Myroblytis (1460-1548). St Theofilos, who was born in Zichni of Macedonia, lived during the first century after the Fall of Konstantinople, and is considered one of the most significant codice copier in Agios Oros during the 16th century, a period when the Athonite monasticism exceptionally fluorished.
After having served for a time as a deacon to the subjugated Greeks and also as a representative of the Patriarch of Konstantinople, he left for Agios Oros, where he first resided at the Vatopedios Monastery in 1510, and then at the Iviron Monastery. Finally, he withdrew to the Pantokratorian Kalyvi of St Vasileios in Kapsala, west of Karyes. There, St Theofilos resided together with the followers of Isaak, a community which he had previously renovated with the help of the Proton of Agios Oros, the venerable Serafeim. A short time prior to his death on Sunday, 8 July 1548, he wrote a will and a declaration of faith.
Unfortunately, the year of his death was erroneously recorded in his biography as 1558.
Despite his order to his subordinates not to publicize his death but to simply dispose of his body in the forest, the Pantokratorian monks found his remains, which were originally brought to the Monastery and later buried within the chapel of the Kalyvi of St Vasileios, accompanied by a large escort of monks. After their burial, his remains began to emit an aroma of myrrh, as 'one proof and definitive sign of [their] extreme cleanliness, virginity, and pureness, not only from physical contaminants, but also from contaminants of the mind,' as is noted by St Nikodimos, a situation which caused him to be referred to as Myrovlytis. His memory is celebrated on 8 July.
His right hand is preserved in a special reliquary at the Monastery, and in a fresco at the western wall of the entrance hall of the Cathedral, he is referred to as the Pantokratorinos.
6) St Gerasimos the Younger, from Kefallinia (1509-1579). St Gerasimos, a younger contemporary of St Theofilos, arrived at Agios Oros during the first half of the 16th century, perhaps together with the scholar monk Pachomios Rousanos, where he was tonsured as a monk and practiced for some years, until he left for Palestine. According to local tradition, he lived in the hermetic community of Kapsalas. His memory is celebrated on 20 October.
7) St Iosef, the Mitropolite of Timisoaras (1568-1656). St Iosef, whose mother was Greek, was born in 1568. Twenty years later, he came to the Monastery from Achrida, accompanied by another apprentice, Nikodimos. He was tonsured as a monk, his name was changed from Iakovos to Iosif, and he was later ordained as a priest. He worked as a copier of codices, and eventually left for other Athonite monasteries (Great Lavra, Chilandarios, Zeropotamos, Vatopedios, and Koutloumousios). In 1650, he was appointed as Metropolite of Timisoaras, where he lived until his death in 1656. He was canonized as a saint, having been responsible for a large number of miracles. His memory is celebrated on 15 September.
8) St Akakios of Kausokalyvios (1630-1730). St Akakios the Younger, the founder of the holy skete of Kausokalyvios, practiced for a short time prior to his final induction into the region of Kausokalyvios, at the 'skete of Pantokratoros, where this elder from Zagora lived harmoniously,' as is noted in his biography by Father Ionas of the same skete. By the phrase 'skete of Pantokratoros' is meant the Pantokratorian Skete of Kapsalas. The memory of the saint is celebrated on 12 April.
9) St Nikodimos the Athonite (1759-1809). This great father of the Religious Renaissance, together with the Elder Arsenios Moraitis, was inducted in 1777 'into the Cathedral of the Skete of Pantokratoros', while a short time later, in 1778, 'he bought the Kalyvi where the Cathedral blossomed, on the ridge which is called Theona.' Later, in 1784, he lived a cenobitic life with the Elder Sylvester of Kaisarea in the Kalyvi of St Vasileios in Kapsala, where as a high-ranking monk, co-authored the work Χρηστοήθεια ('The ethics of Christ') and synthesized the Ακολουθία (a collection of writings) of St. Theofilos. After that, he joined the 'Monastery of Pantokratoros,' where he lived as a monk for one year, after which he returned to Kapsala, where he 'bought the Kalyvi which is opposite to that of St Vasileios' (today the Kalyvi of St Nikolaos of Nikodimos).
St Nikodimos lived as an ascetic for a long period of time (about 32 years) in Kapsala (at the Kalyves St Mandiliou, St Nikolaos, and New Nikodimos), which is referred to repeatedly in his biography as the 'Skete of Pantokratoros', and was the ideal place for his life of monastic asceticism. Moreover, both during the period when he wrote Πηδαλίου ('The rudder',1800) and when he was writing his monumental Register of the Saints several years later, he worked in the library of the Pantokratoros Monastery, using the parchment versions of the Register in the library as his main source of information (as he states in the Prologue). His memory is celebrated on 14 July.
10) St Makarios Notaras, Mitropolite of Korinthos (1731-1805). The supporter and mentor of St Nikodimos while he was completing his important literary task, St Makarios Notaras, had gone to Agios Oros in 1777, remained for some time in Kapsala, and collaborated with St Nikodimos regarding the preparation of the publication of Filokalias (Love of the Beautiful), Euergetinos (a collection of spiritual writings), and other books. According to unconfirmed information, ownership of the Kalyvi where St Nikodimos lived had been acquired by the Monastery through a gift of bonds from St Makarios, which are preserved today in the Monastery. His feast is celebrated on 17 April.
11) St Paisios Belitskofsky (1722-1794). As an advocate for the Κολλυβάδων (Kollybadon; a movement within the church concerned with the restoration of traditional practices), St Paisios brought to the Slavic people the spirit of Filokalias and the Athonite ascetic experience. During the period of his residency at Agios Oros and his collaboration with the saints Makarios Notaras and Nikodimos, he chose as the site of his monastic practice the Cell of the Prophet Elias, which because of its many students, soon developed into the well-known Skete, which is a dependency of the Monastery. He also practiced at the cave Crete, where St Nifon also practiced. His memory is honored on 15 November.

Founding icon of Christ Pantokratoras, 1366, Hermitage Museum, St Petersburg. At the lower right, the figures of the founders Ioannis (left) and Alexios (right) are still preserved.

Portable Icons

Portable Icons

A very large number of portable icons from the Byzantine and post-Byzantine periods have been saved, and are safeguarded today in the Sacristy and the icon vault of the Monastery, forming as mentioned previously one of the most significant collections of portable icons from Agios Oros. Some of these icons, in fact, are considered to have been gifts of the founders, such as the icon of Christos Pancratoras (today in the Hermitage Museum of St Petersburg), which depicts the personages of the founders Alexios and Ioannis at the sides of Christ, and two large-sized icons by an unknown artist which date to the second half of the 14th century.
Ten icons are dated to the 14th century, the most important of which are: (a) an icon of Christos Pancratoras, which appears to be technically related to the above-mentioned icon of the founders, (b) an icon of St Athanasios the Athonite, which is the oldest portable icon of the founder of the cenobitic monastic community on Agios Oros, and (c) a bi-facial or double-sided icon, with depictions of St John the Baptist on one side, and the Virgin Mary holding the infant Christ with St John looking towards them on the other. An inscribed cross also dates to this period, with an image of Christ in its centre, the images of the Virgin Mary and St John on the horizontal panel, and the Preparation of the Throne on the upper edge of the vertical panel.
An analogous number of icons were works of the 15th century, and come from both Greek and Slavic workshops. Several icons have exceptional artistic significance: the icons referred to as Υπαπαντής (Ipapantis, 'The Visitation'), Λυπηρό (Lipiro, 'Man of Sorrows'), and one belonging to the group of three icons comprising the Great Deesis have particular artistic value.
Another group of exceptionally important portable icons comes from the Cretan School of the 16th century, which is characterized by a spirit of austere and at the same time peaceful ascetic images. Among these icons, two stand out: Christos Pantokratoros and the Virgin Mary of All Joys (in the cathedral of the Monastery, along with an icon of the Μεταμορφώσεως (Metamorfosis, 'the Transfiguration') which has been attributed to Theofanis Strelitza of Batha (“Strelitza toupiklin Batha”), and is considered to be a work reflecting his artistic maturity (ca 1535). A second icon of the Transfiguration, along with one of the Baptism, is also attributed to that artist, whose name – together with that of his son, Simeon (1545/6) -- is linked with the artistic projects conducted at the neighboring Stavronikita Monastery.
Another group of icons from the same period are related to the works of Theofanis, such as the icon of the Επιταφίου Θρήνου (Epitafiou Thrinou, 'Lamentation at the entombment of Christ'), which exhibits common technical characteristics with the analagous portray in the cathedral of the Stavronikita Monastery, and the icon Σταυρώσεως (Stavroseos, 'the Crucifiied One'). Also important are two double-sided icons with small-sized representations of many different personages, the works of Ambrosios Emporos of Chania, the painter of miniatures who was active about 1600, and an icon of St Georgios, with scenes from his martyrdom, which also came from a Cretan workshop. The anonymous creators of these icons clearly mimiced the artistic style of Theofanis of Crete, but yet at the same time are fundamentally different from them.
Of exceptional quality and merit is the wood-carved architrave of the 16th century, with 31 scenes from the Lives of the Twelve Apostles, the Passion cycle, the miracles of Christ, and the life of the Virgin Mary, which fit stylistically between the Cretan School and the so-called Theban School.

Saint Athanasios the Athonite, fresco of the Pantokratoros Monastery, ca. 1372/3.

The Frescoes Of The Cathedral

The Frescoes Of The Cathedral

The first fresco of the Cathedral of the Monastery dates to the second half of the 14th century, and specifically to the decade of 1360-1370; in other words, to the period of the founding of the Monastery. The frescoes which survive from this period are distinguished by – according to Prof Efthimios Tsigaridas, who has thoroughly studied them – their high artistic quality, and are rightly considered to be works belonging to the School of Manuel Panselinos.
Today, after the research and the partial cleaning, it can be confirmed that the frescoes of the cathedral were painted at different phases. The oldest paintings are located on the vertical walls of the central nave and the arch which supports the floor, and specifically: (a) on the east wall of the entrance hall, where the impressive representation of the Δέηση (Supplication) is prominent, depicting the emblematic form of Christ enthroned, while the Virgin Mary and St John the Baptist humbly approach Him with open hands, (b) on the western wall of the central nave, where the Dormition of the Virgin Mary and great, holy personages in monasticism (i.e., Adonios the Great, St Euthymios the Great, St Theodosios, Leader of the Community (Κοινοβιάρχης), Pachomios the Great, St Athanasios the Athonite, and others) are portrayed, and (g) in areas that were recently cleaned in the second zone at the left, exquisite depictions of the forefathers and Iosef the Monk were uncovered. According to Prof Tsigarida, this series of pictures corresponds to its counterpart in the nave of the Protaton in Karyes.
These older frescoes were repainted during the 1854 fresco-painting of the cathedral by the well-known icon artist Mathaios Ioannos of Naoussio, as is confirmed by a relevant inscription on the lintel of the door leading from the central nave to the entrance hall.
Apart from the frescoes that were repainted, other works by Mathaios Ioannis dating to the more recent phase of painting include the depictions of the Ecumenical Synod, the words of Christ (Math. 25, 35-36:42-43) and the parable of the ten virgins in the entrance hall, the dome paintings, the arches, and the small domes.
Recently, the fragment of the fresco depicting the Prophet Iezekiel preserved today in the Sacristy, has been identified as being the work of Theofanis of Crete. This fresco most likely came from the dome of the chapel of the Three Hierarchs, which had been located in the north section of the entrance hall and demolished in 1847. It is considered likely that all the frescoes in the demolished chapel can be attributed to Theofanis.

The bell tower.

The Archives

The Archives

The archives of the Monastery which, for the largest part of its historical life have been protected in the Tower, consist of about 670 Greek documents, 480 Ottoman, and one Roumanian, not including the large number of documents of an economic nature which refer to the Cells associated with the Monastery, or to the financial dealings of the fathers during the Ottoman period and onwards. The creation of an archive was a fundamental goal of the Pantokratoros Monastery, as well as of all the Athonite monasteries, because only by preserving the records of the original donations and validation documents or copies of them was it possible to protect the region and its dependencies from those who tried to wrongfully claim them.
Despite the adventures encountered in every period because of the constant turmoil, such as the catastrophic fire in 1392, or the historic disruptive conditions during the Ottoman period, the archives of the Monastery continued to be enriched with documents, while the attempts to organize them properly never stopped, neither in the 16th-17th centuries, nor in the 18th-19th. In the 14th century, the translation of the original, founding documents of the Monastery was completed, while from the mid-18th century, the number of archives increased with the addition of a great number of financial records (bonds, contracts, etc.), and also with the official correspondence records of the Monastery.
An important task for the categorization of the documents in the Archives was completed at the beginning of the 20th century by the three-member Commision for the Categorization of the Archives of the Monastery, which was comprised by the Priors Ioacheim and Alexios, and the Archimandrite Athanasios. The Commission worked systematically and completed the project on 29 July 1926, with the categorization and recording of the documents relating to its dependencies up until that date, and the 'independence of the Monastery and its inhabitants, now and in the future'. The catalogue of these records, which was made a part of Codice 4 and entitled 'Codice of the Archives. Holy Pancratoros Monastery,' consists of 24 chapters, based on the geographical location of the dependency, and is considered to be a prototype for its kind.

Covered corridor.

The Library

The Library

The Library of the Monastery contains about 450 manuscripts and more than 3,500 printed books, and is housed today on the second floor of the renovated tower.
A bibliographic workshop functioned in the Monastery almost immediately after its founding, a fact which is confirmed by the uniquely designed niches in the tower, which facilitate the work of a cataloguer. The Library operated both systematically and sporadically, depending on the historical situation. During the 16th century, in the Monastery's Καλύβη (Kalyvi, a dependent, ascetic monastic community) of St Vasilieos in Kapsala, the work of the Library was conducted by St Theofilos the Myrovlytis (μyrovlytis denotes a saint whose relics miraculously emit the sweet aroma of myrrh) during the last period of his life.
Today, the library has a collection of quite rare, important, and exceptionally well-crafted Byzantine and post-Byzantine manuscripts, including 68 parchment codices, as well as three parchment scrolls of the 14th century, and three silk codices. The collection also contains nine Arabic manuscripts and several Romanian music codices. The following are of particular interest:
a) The parchment Book of Psalms no. 61, one of the rare (only three still survive today) illustrated Psalters of the iconoclastic period (the first half of the 9th century), with palimpsest text and 97 brief notations in the margins of the pages and themes from the Old and New Testaments, represented in an early form of iconoclastic Byzantine art characterized by a great amount of freedom of artistic expression,
b) The parchment Codice 234, known as The Gospel of St John of Kalyvitos (11th century), an exceptional-quality illustrated manuscript with a varied content and unique notations with scenes of the Evangelists and other saints. This manuscript is mentioned as being among the 'renowned relics of Mt Athos' by the well-known scholar and monk of Xeropotamnos Monastery Caesarios Dapontes in his work The Garden of Graces:
'Within the Monastery of the Almighty now is the Gospel there for all time, / the famous one from Kalyvitos / [the Gospel] of John, as he is called, / together with his blessings to us.'
This codice, which was given much attention by the English traveller R. Curzon in 1837, was stolen in 1898, but located a short time later in Athens and returned to the Monastery, an event which the tradition of the Monastery links with the miraculous intervention of St Minas.
c) The parchment Ευαγγελιστάριο (Evangelistario, 'Lectionary') no. 10, which dates to the 12th century and is decorated with artistic, flourished titles and initial letters (literae florissae).
d) The parchment Τετραευάγγελο (Tetraevangelo, The Four Gospels) no. 47, decorated in 1301 with depictions of the Evangelists, is the work of the famous Thessalonikan calligrapher Theodoros Agiopetritis.
e) The Codice no. 251 of the 14th century, which includes many of the works of the well-known cloistered theologian Iosef Kalothetis, who was referenced by St Nikodimos in his work The Garden of Graces: 'Iosef Kolothetis … had books of his own, which are saved in the Sacred and Patriarchial Monastery Pantokratoros.'
f) The Codice no. 127 (from the 15th century), the work of Patriarch Gennadios of Scholarios, written in his own hand.
g) The Codice No. 284 (from the end of the 15th century), which includes the six Canons for the feast of the Transfiguration, which was written by the famous scholar Mathaios Kamariotis especially for the Monastery.
h) The Codice No. 140, the only surviving manuscript of the poems of the Cretan poet Leonardos Dellaportas (15th century).
I) The Codice No. 85 (1538), The Register of the Saints whose feasts are celebrated during the months of September-February, which was copied by St Theofilos of Pantocrator Monastery, and which St Nikodimos the Athonite used as a primary basis in the writing of his monumental work of the same name, as he himself admits in the Prologue,
'I went down to the holy, respected, and patriarchal monastery Pantokratoros, among whose mountains I live, and take [responsibility for] the manuscript for this Register, in two volumes, narrated, decorated and written by the hand of an unworthy being.'
j) The Liturgical Codice no. 226, written by the well-known author, composer of hymns and codicil writer of the 17th century Mathaios Myreos, and dedicated 'to the holy and respected and patriarchial monastery of Pancratoras, on the sacred mountain of Athos' in 1624, and
k) The uncategorized Codice no. 13, by St Nikodimos the Athonite and written in his own hand, which bears the inscription,
Rule: The new octave for the Presentation of our Lady the Virgin Mary, to be sung every Saturday.
and was written at the request of the fathers at the Chilandarios Monastery, whose cathedral is dedicated to the feast of the Presentation.
Over time, the library suffered various losses, such as the serious damages caused by the Revolution of 1821, and the practice of the seizure of documents by others, which resulted in a significant number of important manuscripts lost through their incorporation into the collections of libraries abroad. A characteristic example is the case of the Russian Arsenios Souchanof: In the middle of the 17th century, Souchanof, while on a mission to Agios Oros supported by the Tsar and the Patriarch of Moscow, removed hundreds of precious codices from the libraries of virtually all the Athonite monasteries, among them 31 very valuable manuscripts from the Pantocratoras. These codices, together with the other codices taken from the Athonite community, comprise the largest part of the collection of the Synodic Library of Moscow (today called the History Museum).
The Codices 48, 49, and 69, which today are found in the collection of the Byzantine Institute of Dumbarton Oaks in Washington, come from the Library of the Pantokratoros, while the guidelines of the Pantokratoros cataloguer Ignatios now belong – in whole or in part – to the Vatican Library.

Part of the shield of St. Mercury.

Embroidered/Metal/Ceramic

Embroidered/Metal/Ceramic

One of the most important artifacts is the Byzantine Επιτάφιος (Epitafios), the sacred liturgical 'tapestry' depicting the entombment of Christ. This artefact was donated by the founders of the Monastery, and is an exceptional example of goldwork, i.e, embroidery using gold or metal threads; it has survived in very good condition. The lifeless body of Christ is depicted on a background with crosses of many shapes, while at the four corners, an equal number of angels are holding coronets.
From the 16th century comes the goldworked ωμοφόριο (omoforio, a liturgical vestment worn around the shoulders) of the Patriarch Jeremiah of Tranos, and other sacred vestments with goldwork. The omoforio has a goldworked commemoratory inscription, and is decorated with representations of the twelve apostles and the hierarchs. (The donor, Patriarch Jeremiah, had helped the Monastery in a number of different ways.)
The 17th century is represented by an επιτραχήλιο (epitrachilio, a liturgical vestment worn around the neck) embroidered with multiple scenes from the life of Christ, while a number of vestments and embroidered articles are dated to the 18th and 19th centuries. Among the latter, a goldwork-on-velvet heirarchial σάκκος (saccos, an open-sided, full-length vestment which covers the body, worn only by heirarchs), an επιγονάτιο (epigonatio, a rombos-shaped scapular worn around the neck and reaching to the knees) from 1726 depicting Christ and the evangelists, and two embroidered icons of St. Charalambos and the evangelist Markos, which belonged to the Sacrist Cyrillos.
A special place is likewise held by the small surviving piece of the copper shield of St Merkourios, which was decorated with enamel and depicts the veneration of infant Christ by the Magi and prophets, likely from a workshop in Holland or Germany in the 13th or 14th century.
As for the the metal- and silver-worked artifacts (such as sacred vessels, crosses, buckles, etc.), some date to the 17th century, while the majority are from the 18th and 19th centuries. The oldest-dated vessel is a goldplated, silver and enamel αρτοφόριο (artoforio, monstrance) from 1621, a work of the goldsmith Fotios and the property of the priest Constantinos. A silver two-leaf New Testament cover dates to 1777. The two leaves are decorated with representations of the twelve apostles and other personages, as well as a cross. The elaborate images are sculpted from metal and rhinoceros horn, making the artefact an example of exceptionally skilful micro-sculpting. The book cover was dedicated by the well known Sacristan Cyrillos, who was very active in the Monastery during that period.
Several artefacts date to 1788: (a) A large, filigree cross which protects a relic of the True Cross, dedicated by the Prior Benjamin of Lesbos, and made by the goldsmith Panagos. (b) Other filigree sanctification crosses, and a filigree censer. (c) a hierarchical sceptre and a buckle of Zacharias Maridakis, the Metropolite of Crete, who is portrayed in a portable icon which had been dedicated to the Monastery in 1780.
The Monastery also has a large number of vessels which come from 19th century Russian silver and gold workshops, most likely due to the efforts of the Pantokratoros monks in Russia. Especially notable is a chalice from 1818 from Moscow, which is decorated with scenes __________, a New Testament of 1810-1819 which has a relief depicting the Dormition of the Virgin Mary, and two amulets of high-quality enamel.
An exceedingly rare piece is a 16th century glazed ceramic holy water vial used in rituals, which was made in an workshop in Nicea, and which is decorated with beautiful floral and faunal images. Last but not least is an iron chest with a painted exterior and a carved interior, which was made under the supervision of the Prior Leontios in 1737 as a storage chest for the sacred relics of the Monastery. It was made by Greek craftsmen in Adrianoupolis, and is an excellent example of this type of item.