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The Lamb Of Zion
And the Fall Of Babylon

The Lamb Of Zion And the Fall Of Babylon

The inscription quotes:
'Then I looked, and there before me was the Lamb, standing on Mount Zion, and with him 144,000 (Revelation 14, 1).
In the angel's open book is written:
Fear God and give him glory, because the hour of his judgement has come (Revelation 14, 7).
Above the ruins, the inscription summarises the words of the other two angels:
If anyone worships the beast and its image and receives its mark on their forehead or on their hand, they, too, will drink the wine of God; Fallen! Fallen is Babylon the Great (Revelation . 14, 8-10).
It is clear that the painter addresses viewers who are already familiar with the text, since these quotes do not explain, but rather remind.

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The Two Beasts

The Two Beasts

The inscription describes the image:
'And I saw a beast coming out of the sea. It had ten horns and seven heads, with ten crowns on its horns (Revelation 13,1); then I saw a second beast, coming out of the earth. It had two horns like a lamb and made the earth and its inhabitants worship the first beast (Revelation 13, 11-12)'.

The woman and the dragon.

The Woman And
The Dragon

The Woman And The Dragon

'A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head' (Revelation 12,1).
To the left, the woman, who is here identified as the Virgin, clothed in the sun and supported by the moon, does not seem to be truly threatened by a dragon with seven crowned heads, which is angry and is vomiting a river against her. In accordance with the account, the earth opens and drinks it to protect the woman, while two angels with a club and a sword are preparing to crush the dragon's heads. The image interprets in some parts John's vision:
The dragon stood in front of the woman who was about to give birth so that it might devour her child the moment he was born. She gave birth to a son, a male child [Christ], who will rule all the nations with an iron sceptre. And her child was snatched up to God and to his throne. (Revelation 12, 4-5).

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The Sixth Trumpet

The Sixth Trumpet

The inscription reads:
'The sixth angel sounded his trumpet, and said: Release the four angels who are bound at the great river Euphrates.
So that they kill a third of mankind. The number of the mounted troops was twice ten thousand times ten thousand.
Above the clouds and behind the heavenly altar, Christ is depicted in his attribution as The Ancient of Days, emphasizing his divine nature, which makes him older than the world. Below the clouds, the four angels tasked with the killing of a third of the people have been released. The cavalry is innumerable; the horses have lion heads that blow fire, smoke, and sulphur, and their tails are snakes. So they kill. These monstrous heads and tails have the power to torment a third of the people.

The fifth trumpet.

The Fifth Trumpet

The Fifth Trumpet

'The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth and opened the shaft of the Abyss, and smoke rose from it like the smoke from a gigantic furnace. The sun and sky were darkened by the smoke from the Abyss. And out of the smoke locusts came down on the earth and were given power to harm the people who had not been sealed by God.
The well of the abyss is presented in the centre as a stone-built well; the smoke comes out of it, and the locusts that occupy the whole picture come out of it: Following the description in the Apocalypse, the locusts have a woman's head with long hair and a crown, nails of a lion (instead of teeth), and a scorpion's tail and sting.
The sound of their wings was like the thundering of many horses and chariots rushing into battle. They had tails with stingers, like scorpions, and in their tails they had power to torment people for five months. They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon (that is, Destroyer). (Revelation 9, 1-11).'

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The Seventh Seal
And The Golden Censer

The Seventh Seal And The Golden Censer

'Another angel, who had a golden censer, came and stood at the altar. He was given much incense to offer, with the prayers of all God’s people, on the golden altar in front of the throne. The smoke of the incense, together with the prayers of God’s people, went up before God from the angel’s hand. Then the angel took the censer, filled it with fire from the altar, and hurled it on the earth; and there came peals of thunder, rumblings, flashes of lightning and an earthquake. Then the seven angels who had the seven trumpets prepared to sound them.
The first angel sounded his trumpet, and there came hail and fire mixed with blood, and it was hurled down on the earth. A third of the earth was burned up, a third of the trees were burned up, and all the green grass was burned up.
The second angel sounded his trumpet, and something like a huge mountain, all ablaze, was thrown into the sea. A third of the sea turned into blood, a third of the living creatures in the sea died, and a third of the ships were destroyed.
The third angel sounded his trumpet, and a great star, blazing like a torch, fell from the sky on a third of the rivers and on the springs of water—the name of the star is Wormwood. A third of the waters turned bitter, and many people died from the waters that had become bitter.
The fourth angel sounded his trumpet, and a third of the sun was struck, a third of the moon, and a third of the stars, so that a third of them turned dark. A third of the day was without light, and also a third of the night. As I watched, I heard an eagle that was flying in midair call out in a loud voice: 'Woe! Woe! Woe to the inhabitants of the earth, because of the trumpet blasts about to be sounded by the other three angels!'

The sealing of the 144.00.

The Sealing Of The 144,000

The Sealing Of The 144,000

After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth to prevent any wind from blowing on the land or on the sea or on any tree.
Then I saw another angel coming up from the east, having the seal of the living God. He called out in a loud voice to the four angels who had been given power to harm the land and the sea:
Do not harm the land or the sea or the trees until we put a seal on the foreheads of the servants of our God.
Then I heard the number of those who were sealed: 144,000, from all the tribes of Israel. The sealing process is distinctly seen in the foreground. Behind the mountains are the 144,000.

The opening of the sixth seal.

The Opening Of
The Sixth Seal

The Opening Of The Sixth Seal

'I watched as he opened the sixth seal. There was a great earthquake. The sun turned black like sackcloth made of goat hair, the whole moon turned blood red, and the stars in the sky fell to earth.
The blood-red moon and the black sun are enveloped in clouds, and it rains stars and fire on the earth, where the cities are shattered by earthquakes, and people search refuge in caves: The ultimate cosmic disaster.
The skill of the painter can be observed in the way he tempers the solidity of the structure in layers with the slight asymmetry of the clouds, in the playful geometric austerity of buildings disintegrating like toys, and in the perspective arrangement of the caves, in which terrified people can be seen.'

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The Opening Of
The Fifth Seal

The Opening Of The Fifth Seal

In this scene, when the lamb opened the fifth seal, John saw those who had been martyred for the word of God under the altar. They shouted to God, asking him to deliver justice. Then each of them was given a white robe, and they were told to wait a little longer until the full number of their fellow servants, their brothers and sisters, were martyred just as they had been. In the upper portion of the frame, the title of the corresponding part of the text is slightly different:
I saw under the altar the souls of those who had been slain because of the word of God and the testimony they had maintained about the lamb.
At the top of the section, the witnesses are seen lying down in a row under the altar. At the bottom, the angels gently dress them with white robes which seem to be part of a continuous cloth that also covers the altar. The obvious association with the holy shroud of Christ is deliberate. Here, as in all 21 frames, the painting appears more talkative than the text, although it never reaches the level of chatter or exaggeration.